Trending Guitar Pedals
The Devil’s Claw Pre-Amp is the pedal version of the pre-amp used in our Devil’s Claw 300W guitar amp. It features two independent channels — Replicate and Obliterate — designed for precise tone shaping and versatile gain control.
Replicate Channel: Tight, articulate, and tuned for rhythm clarity. A Tone Bypass switch removes the EQ section for a more direct, uncolored signal.
Obliterate Channel: High-gain channel with a switch for an extra gain stage for increased saturation and sustain when you need more drive.
Delay Pedal lets you add echo to your guitar or synth signal from 60 ms to 1.5s of delay time. This can take your signal from a rapid spring-like echo to long canyon-like echo. By cranking the Repeats knob, the Delay will go on seemingly forever.
The pedal features controls for the number of Repeats, the length of Delay, and the amount of Mix of the original guitar signal with the delayed signal. A true-bypass footswitch helps to keep your tone pure when the pedal is not in use. Delay runs on 9V DC Negative Center power and consumes 85mA.
The Buffered Splitter Quad takes one 1/4” mono input and splits it out to four separate 1/4” mono outputs, each with its own buffer. Perfect for connecting a guitar to multiple signal paths or for adding a buffer anywhere in your signal chain to increase the strength of the signal.
ABY is a pedal that takes your guitar signal and switches it between two separate outputs (A or B) or plays it through both outputs (Y) at the same time. Output B has a switchable Ground Lift and Isolation Transformer to help reduce hum and noise caused by ground loops.
There’s never enough fuzz, that’s why we at tre_audio built the tre_audio FUZZ Pedal. FUZZ is based on the classic fuzz pedals that you know and love. It is a transistor-based fuzz pedal that will give your instrument the harmonic, saturated sustain that you want and expect from a fuzz pedal. As with most of our gear, we’ve pushed this circuit to its limits with higher clipping circuit amplification and less attenuation. This gives the pedal a ton of fuzz.
Patch Bay is an excellent way to clean up your pedal board especially when using the 4-cable method. The four 1/4” input jacks on the right of the standard 125B enclosure connect directly across to the corresponding 1/4” output jacks on the left of the pedal. Color coding of each set of jacks makes it easy to coordinate with color coded cables.
Stop reaching under your board. Protect your pedals. Speed up your setup.
Whether you are hitting the stage for a 15-minute festival changeover or wire-routing a complex studio rig, the tre_audio 4-Channel Patch Bay is the ultimate structural upgrade for your pedalboard.
Instead of flipping your board over, tracing messy cables in the dark, and plugging lines directly into your most expensive pedals, this indestructible utility hub centralizes all your connections into one clean, color-coded location.
Why Every Modern Rig Needs It:
Zero "Tone Suck" or Signal Loss: Built with premium, ultra-reliable connectors and passive, low-capacitance internal wiring to guarantee your exact guitar-to-amp tone remains 100% pure.
The Ultimate 4-Cable Method (4CM) Hub: Seamlessly route your front-of-amp pedals (overdrives, fuzzes) and your FX loop pedals (delays, reverbs) using the color-coded channels. No more guessing which cable goes where.
Sacrificial Shield for Your Gear: Constant plugging and unplugging wears down the delicate, circuit-board-mounted jacks inside your boutique pedals. Let our rugged enclosure take the physical abuse instead of your $300 delay pedal.
Color-Coded and Brain-Dead Simple: The distinct color stripes and intuitive visual directional indicators make it impossible to misroute your signal chain, even during a chaotic, rushed stage setup.
The DI-BOX converts a single-ended Unbalanced Input to a Balanced Output using an active driver that is fully specified for high performance audio applications. Even better, this DI-Box adds +6 dB of gain to the balanced output.
Parallel ¼” input jacks allow your guitar signal to pass through the DI-Box to your amp, pedal board, etc. while the balanced XLR output takes your signal to the FoH, audio interface, or wherever you might need a balanced signal.
The Grit and the Echo: A Dual-Circuit Hybrid The tre_audio Dirty Delay is not your average time-based effect. It is a deliberate mash-up of a high-character overdrive and a dark, analog-voiced delay. Designed for players who want to move beyond pristine repeats, the Dirty Delay allows you to inject texture, saturation, and lo-fi "grime" directly into your signal path.
Two Circuits. Zero Compromise. The Dirty Delay features two independent analog-voiced circuits that can be used together or entirely separately, effectively putting two pedals in one enclosure:
The Overdrive Section: A warm, mid-forward drive that adds harmonic complexity and "heat" to your signal.
The Delay Section: A dark, evolving echo with repeats that mimic the natural analog decay.
Replicate, Saturate, or Destroy Because the circuits are independent, the Dirty Delay offers three distinct modes of operation:
Independent Delay: Engage just the delay for classic, moody repeats and ambient washes.
Independent Overdrive: Use the pedal as a standalone dirt box to push your amp or other pedals.
The Hybrid "Dirty" Mode: Engage both to saturate your repeats. As the echoes trail off, they interact with the overdrive circuit to create a haunting, disintegrating texture that "sits" perfectly behind your dry signal.
PATCH BAY
Speed Up Guitar Rig
Setups and Tear Downs.
PATCH BAY
Speed Up Guitar Rig Setups and Tear Downs
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